We won!

This may not be on topic, unless you count the fact that our new president will promote the arts and protect the environment, but I just wanted to share a few photos from last night. We were in downtown Chicago in Grant Park with millions of other people and the next president of the United States!

When we heard CNN announce that Virginia had gone blue and then a minute later they called the election for Obama the whole crown started jumping up and down, screaming, hugging, kissing and crying. It was incredible, and everyone as far as you could see was on our side, and we all worked together to make real democracy happen.


Jen Renninger

We Are All Connected - open-edition archival print - Jen Renninger

This is a very simple way, no less significant for its simplicity, to express the basic emotional sentiment, that in my mind underlies the Environmental movement. Illustrator Jen Renninger quotes artist Jenny Holzer here in her open-edition print, which, should you so desire, can become part on your environmental art collection for an extremely reasonable $25, at her etsy shop.


Human/Nature : Artists Respond to a Changing Planet

I recently found out about a fantastic exhibit called Human/Nature : Artists Respond to a Changing Planet which features works by eight contemporary artists created in response to their travels to eight threatened World Heritage sites. This exhibition, a partnership between an arts organization and conservation organization exemplifies what we can do when we all work together. These artists present compelling work on some of our world's most interesting and most endangered places.

Below is text from the very detailed press release interspersed with my favorite images from the show. All photos of the exhibit are by Pablo Mason.

The Museum of Contemporary Art San Diego (MCASD) presents Human/Nature: Artists Respond to a Changing Planet, opening August 17, 2008, at the Museum’s downtown Joan and Irwin Jacobs Building and 1001 Kettner galleries.

Organized by the Museum of Contemporary Art San Diego and the University of California, Berkeley Art Museum and Pacific Film Archive (BAM/PFA), in partnership with the international conservation organization Rare, Human/Nature is a pioneering artist residency
and collaborative exhibition project that, for the first time on this scale, uses contemporary art to investigate the relationships between fragile natural environments and the human
communities that depend upon them.

This collaborative multi-year exhibition project sent eight leading artists to eight UNESCO World Heritage sites around the globe to create new work informed and inspired by their experiences in these diverse cultural and natural regions. On view at MCASD through February 1, 2009, the exhibition features new commissioned, site-specific works by Mark Dion, Ann Hamilton, Iñigo Manglano-Ovalle, Marcos Ramírez ERRE, Rigo 23, Dario Robleto, Diana Thater and Xu Bing created in response to their travels to these threatened sites. Human/Nature will also be on view at BAM/PFA from February 25 through June 28, 2009.

MCASD David C. Copley Director Hugh M. Davies remarked, “This dynamic group of groundbreaking contemporary artists continually creates thoughtful works that push the boundaries of what art is. For Human/Nature, the artists are producing engaging works that prompt viewers to question their relationships to the world in which we live.”

The artists each traveled to a World Heritage site of their choice and completed two or more mini-residencies, creating works based on their experiences. Through a wide range of works that cross all media, Human/Nature encourages global support for the protection of cultural and biological diversity and provokes new questions regarding conservation, cultural understanding, and artistic inspiration.

“If we are going to effect change, it must be a concerted effort between people in the arts, in the sciences, and people working directly towards a better future for our planet. This is where Human/Nature positions itself as a model for change: artists working together with the communities and individuals most concerned with the fate of these World Heritage sites. These collaborations create hope for the future,” stated Jacquelynn Baas, Interim Director of BAM/PFA.

“Some of the world’s most remote developing areas contain the highest levels of natural resources—the forests, species, and waterways that provide global life support and whose loss will impact all of our futures,” said Brett Jenks, President and CEO of Rare. “One of our biggest challenges is bringing the natural and cultural riches of these faraway communities to life for audiences here in the U.S., so we are grateful to the artists in this exhibition and to the museums who are making this possible. I look forward to expanding the dialogue with new audiences on the future of our planet.”

Mobile Ranger Library : Komodo National Park - mixed media - fabricated by William Feeney - Mark Dion - 2008

Mark Dion : Komodo National Park, Indonesia

Famous around the world for their aggressive behavior and curious appearance, Komodo dragons, the word’s largest monitor lizards, inhabit the rugged hillsides and dry savanna of this Indonesian World Heritage site. The site also includes a vast marine reserve with one of the richest underwater environments in the world, formed of coral reefs, mangroves, sea grass beds, and semi-enclosed bays. These habitats contain more than 1,000 species of fish, 260 species of reef-building coral, and 70 species of sponges. Dugong, sharks, manta rays, at least 14 species of whales, dolphins, and sea turtles also inhabit the park.

In May 2005, Mark Dion traveled to the Komodo and Rinca Islands, inspired by a childhood fascination with the Komodo dragon. Once at the site, however, the artist’s attention was captured by the park rangers who guided and instructed him. He was impressed with their knowledge, commitment, and their surprising lack of resources. Dion returned to Komodo National Park in 2007 to create a functional work of art: a supply cart for the rangers, consisting of books, flashlights, batteries, maps, and other essential supplies. A replica of the cart will be created for the exhibition.

Galápagos chorus - DVD projection, amplified cone gloves with pre-recorded animal sounds, iPods, artist’s books with texts by 8th-grade students from El Colegio Nacional Galápago - Ann Hamilton - 2008

Ann Hamilton : Galápagos Islands, Ecuador

Situated in the Pacific Ocean some 1,000 kilometers from the South American continent, these 19 Ecuadorian islands and the surrounding marine reserve have been called a “living museum and showcase of evolution.” Ongoing seismic and volcanic activity reminds us of the processes that formed the Galápagos Islands. These occurrences, together with the extreme isolation of the islands, have resulted in the development of the unusual animal life—such as the giant tortoise, the land iguana, and the many types of finch—that inspired Charles Darwin's theory of evolution following his visit in 1835.

After visiting the Galápagos in June 2005, Ann Hamilton proposed to create a poetic text that will be performed by local elementary school students and heard in the museum galleries, juxtaposed with footage of a wavering horizon line shot from a camera suspended in water. She will be returning in spring 2008 to realize her project.

Juggernaut - super 16mm film digitized to HD video projection - 5:44 video loop - Iñigo Manglano-Ovalle - 2008

Iñigo Manglano-Ovalle : El Vizcaíno Biosphere Reserve, Mexico

Both the Whale Sanctuary and the Rock Paintings of the Sierra de San Francisco are located within El Vizcaíno Biosphere Reserve in central Baja California, the long peninsula that extends south from the California/Mexico western border. From the gulf coast to the Sierra Mountains of the Sonoran Desert, the Reserve encompasses the bays and lagoons of the sea, and the cultural and archeological sites of the mountains. The coastal lagoons of Ojo de Liebre and San Ignacio are important breeding and wintering sites for the gray whale, harbor seal, California sea lion, northern elephant-seal, and blue whale. The area is also home to four species of the endangered sea turtle. However, the region’s marine resources have been declining due to unsustainable fishing practices and illegal wildlife extraction.

On his visit to El Vizcaíno in February 2005, Iñigo Manglano-Ovalle was inspired to create an artwork that both depicts the natural beauty and ecological importance of the place and raises awareness of the industrial development that threatens it. Manglano-Ovalle is creating a multi-sensory installation featuring a film that uses local actors and incorporates iconic images from recent art history. He returned to his site in 2007 to complete the filming for his piece.

Shangri-La : el sueño volatil (Shangri-La: the Volatile Dream) - mixed media, decorative wooden detailing created by Tibetan artisans in the region of Shangri-La, Zhongdian, Yunnan Province, China - Marcos Ramírez ERRE - 2008

Marcos Ramírez ERRE : Three Parallel Rivers of Yunnan Protected Areas, China

Northwest Yunnan is the richest area of biodiversity in China and may be the most biologically diverse temperate region on earth. The outstanding topographic and climatic diversity of the site—coupled with its location at the juncture of the East Asia, Southeast Asia, and Tibetan Plateau and its function as a north-south corridor for the movement of plants and animal —marks it as a truly unique landscape, which still retains a high degree of natural character despite thousands of years of human habitation. The region is the last remaining stronghold for many rare and endangered plants and animals, such as the Giant Panda, the Red Panda, and the Golden Lion Tamarin and is also home to many Chinese ethnic minorities.

ERRE visited this mountainous region in May 2005. A conceptual artist with a background in construction, ERRE worked with local residents to build a wall using traditional, regional building methods and materials on his return trip in 2007. Into this wall, he will place video screens that serve as “windows” into the everyday lives of the residents and the landscape in which they live.

Installation view of Teko Mbarate : Struggle for Life and Sapukay : Cry for Help - Rigo 23 - 2008

Sapukay : Cry for Help - woven taquara, banana trunk fibers, feathers, wire, fishing line, caxeta. Assembled in Cananéia, Brazil, with members of the local Quilombola, Guarani, and Caiçara communities - Rigo 23 - 2008

Teko Mbarate : Struggle for Life (detail) - taquara, bamboo, wire, styrofoam, plywood, banana trunk fibers, feathers, sisal, mud, water, car battery, lights, MP3 players, and headphones. Assembled in Cananéia, Brazil, with members of the local Quilombola, Guarani, and Caiçara communities - Rigo 23 - 2008

Rigo 23 : Atlantic Forest Southeast Reserves, Brazil

The 25 protected areas that make up this site epitomize the biological richness of the few remaining areas of Atlantic forest of southeastern Brazil and are home to a diverse group of
communities that depend upon healthy forest ecosystems for their livelihoods and cultural survival—from the indigenous Guarani people to the Quilombolas, descendants of African slaves who escaped from plantations and established villages throughout the region. The
Atlantic Forest has exceptionally high numbers of rare and endemic species—including a great diversity of primates and other mammals. From mountains covered by dense forests to wetlands, coastal islands, and dunes, the Atlantic Forest Southeast Reserves are a rich natural
environment of great natural beauty and biodiversity.

Rigo 23 first visited the coastal village of Cananéia and the surrounding forested areas of southeastern Brazil in early spring of 2005. From 2006 through early 2008, he took four additional trips to the site, forming strong connections with three local communities. Working in collaboration with the local artisans, Rigo 23 has created two sculptures using their traditional materials and methods. Together, they have built replicas of contemporary weapons of mass destruction—a cluster bomb and a nuclear submarine—and through the process of collaboration have turned the sculptures into celebrations of life instead of death.

Some Longings Survive Death - glacially released 50,000-year old woolly mammoth tusks, 19th-century braided–hair flowers of various lovers intertwined with glacially released woolly mammoth hair, carved ivory and bone, bocote, colored paper, silk, ribbon, typeset - Dario Robleto - 2008

Love Has Value Because It’s Not Eternal - hand-blown glass beakers, stretched audio tape of field recordings of the sound of glaciers melting (2005–06) intertwined with audio tape of various lovers recording their partner’s heartbeats as they reflected on each other, ground passion flower, amber, eternal flower, resurrection plant, silk, satin, leather, ribbon, brass, iron, cork, pine, typeset - Dario Robleto - 2008

Dario Robleto : Glacier-Waterton International Peace Park, U.S. (Montana) and Canada (Alberta)

Straddling the U.S.-Canadian border, Glacier-Waterton was established in 1932 as the world’s first International Peace Park. More than a billion years ago, the movement of massive bodies of glacial ice created today’s contrast of fields and prairies against rugged, snow-capped peaks. Small alpine glaciers of relatively recent origin dot the mountainous landscape. Noted for its importance to bird and mammal migration, the park is populated by American black bears, mountain goats, elk, Bighorn sheep, and the endangered bald eagle. Once under the control of the Blackfoot confederacy, the region was largely untouched by exploration and development until the 19th century. Perhaps as a result, the area contains the highest density of archaeological sites of any small valley system in the northern Rocky Mountains.

During his site visit in 2005, Dario Robleto spent much of his time with a prominent glaciologist who is monitoring the park’s melting glaciers. On his second visit in 2006, Robleto, a conceptual sculptor, participated in a glacier measuring expedition. He will create a series of sculptures that focus on the disappearance of species; the mourning we collectively experience as we witness the changing of the earth; and the ways in which loss can inspire new ways of thinking.

RARE - 16 LCD Monitors, 1 DVD player, 1 DVD, and existing architecture - Diana Thater - 2008

Diana Thater : iSimangaliso Wetland Park (formerly Greater St. Lucia Wetland Park), South Africa

The iSimangaliso Wetland Park is one of the most diverse regions in South Africa’s KwaZulu-Natal province. Located on the northeastern coast of the country, stretching from Kozi Bay in the north to Cape St. Lucia in the south, the park was declared a World Heritage Site by UNESCO in 1999.

Spanning more than 280 kilometers of coastline, iSimangaliso’s wide variety of pristine natural ecosystems—wetlands, grasslands, forests, lakes, and savanna—provides for an astounding diversity of species in the area, including some 521 bird species. The interplay of the park’s environmental heterogeneity with major floods and coastal storms, and a transitional geographic location between sub-tropical and tropical Africa, has resulted in exceptional species diversity and ongoing speciation.

Experienced in capturing footage of animals in the wild, Diana Thater conducted her residency in 2007 filming the many species of wildlife in the iSimangaliso Wetland Park. She will create a gallery installation featuring imagery from her filming.

木, 林, 森 Project (Lin, Mu, Sen Project) - components of the project include a 451/4 x 135 inches landscape by the artist, 20 191/2 x 16 inch drawings by Kenyan school children, copies of the primer in Swahili and English and other materials used on-site, photographs, and online auction site - Xu Bing - 2005-ongoing

Xu Bing : Mount Kenya National Park, Kenya

At 5,199 meters, Mount Kenya is the second highest peak in Africa. Twelve remnant glaciers
remain on the mountain, all receding rapidly. With its rugged glacier-clad summits and forested middle slopes, Mount Kenya is one of the most dramatic landscapes in East Africa. Its Afro-Alpine flora also provides an outstanding example of ecological evolution.

Xu Bing’s initial visit to Mount Kenya National Park occurred in late spring 2005. While there, he spent time with local community members who spoke with him at length about their concerns for the health of the Mount Kenya ecosystem. After a number of discussions with locals about the impact of deforestation in the Mount Kenya area, Xu identified trees as the raison d’etre and motif for his Human/Nature project. Long interested in the visual and
metaphorical power of written language, the artist plans to work with Mount Kenyan schoolchildren to develop artworks using the Chinese characters relating to trees (such as the
ideograms for “wood,” “woods,” and “forest.”) His project will result in original work created in collaboration with the children as well as individual works created by the children that will be reproduced and available via a specially created Web site; the proceeds from the works will go toward a reforestation project in the park. Xu will return to Kenya in late spring 2008.

:More information about the conservation organization RARE:

Rare, a U.S.-based conservation organization, works globally to equip people in the world's most threatened natural areas with the tools and motivation they need to care for their natural resources. For the last 30 years, at more than 120 sites, and in more than 40 nations, Rare has focused as much on people as on science—addressing the underlying social and economic factors that create environmental threats.

Rare's signature "Pride campaign" builds grassroots support for environmental protection by training local conservation leaders in the use of commercial marketing tactics to build awareness, influence attitudes, and change behaviors. Pride campaigns produce a groundswell of support that lead to tangible conservation successes, such as new national parks, reform legislation, or reduction of threats from forest fires or over-fishing.

Rare has been recognized by Fast Company magazine as one of the "Top 25 Social Capitalists" for the past four years, and its conservation toolkit has been embraced by many large environmental organizations, including The Nature Conservancy, Conservation International, Wildlife Conservation Society, and the National Audubon Society.

Find out more about RARE at: www.rareconservation.org

More information on the show can be found here.

The California Academy of Sciences: More Photos

I cant resist posting a few more images from the beautiful and inspiring new California Academy of Sciences. What a lovely building --- I think I'll try to swing a visit on my next trip to California.

See the post below for more info on this remarkable structure...

(Though the site I snagged these images from didn't credit them,
I believe credit is due to Tim Griffith for at least some of the photos...


The California Academy of Sciences

The new building for the California Academy of Sciences was designed by Renzo Piano (whose building for the new contemporary wing of the Art Institute of Chicago is just being completed here). I'm not generally a huge fan of his work, but this building is a breathtaking work of subtle genius, which lovingly and subtly interweaves indoor and outdoor space, fusing the natural with the built environment. Those who enjoyed my post on green roofs in architecture, will love the green roof on this one...one of the most interesting I've seen.

Nicolai Ouroussoff writes for the New York Times: "If you want reaffirmation that human history is an upward spiral rather than a descent into darkness, head to the new California Academy of Sciences, in Golden Gate Park, which opens on Saturday.

"Designed by Mr. Piano on the site of the academy’s demolished home, the building has a steel frame that rests amid the verdant flora like a delicate piece of fine embroidery. Capped by a stupendous floating green roof of undulating mounds of plants, it embodies the academy’s philosophy that humanity is only one part of an endlessly complex universal system." [...]

"A glass lobby allows you to gaze straight through the building to the park on the other side. Other views open into exhibition spaces with their own microclimates. The entire building serves as a sort of specimen case, a framework for pondering the natural world while straining to disturb it as little as possible."
"The roof of the academy’s lobby, supported by a gossamerlike web of cables, swells upward as if the entire room were breathing. Views open up to the landscape on all four sides, momentarily situating you both within the building and in the bigger world outside. A narrow row of clerestory windows lines the top of the lobby. One of the building’s many environmental features, these windows let warm air escape and create a gentle breeze that reinforces the connection to the natural setting."

"The museum has also preserved its African Hall, with its gorgeous vaulted ceiling and dioramas of somnolent lions and grazing antelopes, integrating it into the new design. Built in the 1930s, this neo-Classical hall is a specimen of sorts. Its massive stone structure reflects colonial attitudes about the civilized world as a barrier against barbarism. It was intended as a symbol of Western superiority and a triumph over nature."

"By contrast, Mr. Piano’s vision avoids arrogance. The ethereality of the academy’s structure suggests a form of reparations for the great harm humans have done to the natural world. It is best to tread lightly in moving forward, he seems to say. This is not a way of avoiding hard truths; he means to shake us out of our indolence."

All photos are by Tim Griffith whose extensive body of architectural photography
(including some great photos of "The Birdsnest") can be seen at timgriffith.com


Maslen & Mehra : Mirrored : A new book

A few days ago I received an email from Moderne Kunst Books, who is publishing a new book on artists Maslen & Mehra. Apparently, some of the text from the piece I wrote for Wunderkammer on their work is being used to promote the book.

You can read my earlier post on Maslen & Mehra's work
here --- which focuses specifically on their Native series, an excerpt of which is shown below.

Eurpoean Wolf : Notre Dame : Paris - from the Native Series - non-manipulated photograph of sculpture - Maslen & Mehra - 2007

Maslen & Mehra : Mirrored

Ed. Caprice Horn, Berlin
Texts by Edward Lucie-Smith, Eugen Blume

Hardcover, 184 S., 95 col. ill.

EUR 30,00 sFr 52,00


Ryan McLennan

Untitled - acrylic on paper- Ryan McLennan - 2007

Oh goodness, it's been far too long since I've posted. I suppose that my flimsy excuse of being in Japan won't really hold any water. In any case, I have been storing up some great posts for Wunderkammer and hope to get rolling on them, despite that fact that I am inflicted with a chronic disease of taking on way more projects than I can manage.

And since I don't have very much time today with all my other projects, the work of artist Ryan McLennan can pretty much speak for its self.

McLennan is an artist from Richmond, Virginia who works mainly in acrylic on paper and sometime on wood. His enigmatic images seem to tell a mysterious story of a battle between forest creatures, with a cast including moose, beavers, foxes and a strange bear made from leaves.

Orphans - acrylic on paper- Ryan McLennan - 2007

Mine - acrylic on paper- Ryan McLennan - 2007

Education - acrylic on paper- Ryan McLennan - 2007

Aftermath - acrylic on paper- Ryan McLennan - 2007

Haul - acrylic on paper- Ryan McLennan - 2007

Gather - acrylic on paper- Ryan McLennan - 2007

To see more of Ryan's work or to contact the artist, please visit: http://www.ryanmclennan.com


Environmental ARchiTecture

Green Oasis : laser-cut steel and living plants : Meesters & Marije Van der Park : 2006

Green Oasis : laser-cut steel and living plants : Meesters & Marije Van der Park : 2006

Green Oasis : laser-cut steel and living plants : Meesters & Marije Van der Park : 2006

Green Oasis : laser-cut steel and living plants : Meesters & Marije Van der Park : 2006

These works are more architecture than art by formal definition, but I'm finding myself increasingly drawn to things that blur the lines between art and other things when compiling work for Wunderkammer. Somehow, these works that enter our public spaces or derive from more comfortable familiar forms can come at us a bit perpendicularly, not being obviously message oriented works --- and perhaps are therefore more easily able to get under our skin.

From marijevanderpark.nl:

Design studio Meesters & Van der Park seeks inspiration from nature and technique resulting in Green Oasis, a summer house in the shape of an excavator, covered with climbing plants."The city changes through a continuous process of demolition and rebuilding. Nature comes second almost every time."

With Green Oasis, Meesters & Van der Park re-introduce nature to the city in a functional way. For the design, the agency was inspired by technique as well as nature: the shape of the excavator embodies technique, while the growing climbing plants represent the force of nature. The result is a summer house in the shape of a life-sized excavator, covered with green climbing plants. It is literally a green oasis for those much needed moments of peace and quiet in an urban public environment. The summer house offers seating to four people. The object is entirely made of laser-cut steel and produced by Phoenix Metaalwarenfabriek.

After my last trip to Paris, I haven't been able to get the facade of the
Musée du quai Branly (a relatively new museum focusing on non-western antiquities and indigenous arts) out of my mental environment. I went to see it at night, and the wall of luscious creeping greenery disappearing into the vertical blackness of the sky has really stayed with me. I began to wonder why all of our buildings aren't covered in plants --- then a walk down the busy streets of a city would be akin to a stroll in the woods. We'd process more CO2 this way as well, no small bonus in this age of 387 ppm. Urban jungle could take on a whole new literal meaning, and imagine the little biospheres that we could begin to build-up. Perhaps native birds would repopulate urban areas, and I can imagine people's sense of well-being would improve too.

Musée du quai Branly : Paris, France

Musée du quai Branly : Paris, France

Musée du quai Branly : Paris, France

Patrick Blanc, the creator of this vertical garden (and others), has this to say about urban gardens:

“There are so many places that need a vertical garden: parking lots, train stations, the metro — all those difficult spots, those places where you really don’t expect to encounter the living — that is what interests me above all else.”
Apparently he does interiors as well. Who wouldn't feel more at peace in an office like this? Mmmm, lovely...Is that a tree frog?

Various Vertical Gardens : Patrick Blanc

Green roofs get us halfway there and certainly provide myriad benefits to the buildings' owners --- and the planet as well. My mother is in the process of renovating a partially burned 100+ year old row house in downtown Richmond, Virginia into a Platinum LEED home, and plans to install a green roof. (The penchant for biophilia runs deep in this family!)The house will also have a small roof-garden area and a cupola supporting solar panels. Any ideas or images would be welcome, as they're still in the design stage...

What does *this* green-roofed building remind you of?

ACROS Fukuoka Building : Fukuoaka, Japan : Architect Emilio Ambasz

photo of the jaguar temple at Lamanai ("submerged crocodile" in Yucatec Maya) : from my trip to Belize in January 2007 with my Mom and the Sierra Club

More green roofs, roof gardens, and arbors at altitudes...

Conservatorium of Music : Sydney, Australia

Vancouver Public Library : Vancouver, Canada

Village Model by Austrian artist and architect Friedensreich Regentag Dunkelbunt Hundertwasser

Village Model by Austrian artist and architect Friedensreich Regentag Dunkelbunt Hundertwasser

Hunderwasserhouse : Vienna, Austria : Architect Friedensreich Hundertwasser

The Ford Assembly Plant : Michigan, US
(Surprised by this one?)

Center For Green Roof Research : Penn State University

Church with turf roof : Saurbær, Iceland

Home of unknown suburban rebel roof-gardener : somewhere in the US

Amazing, right? Now get going on your own!