9.26.2008

The California Academy of Sciences


The new building for the California Academy of Sciences was designed by Renzo Piano (whose building for the new contemporary wing of the Art Institute of Chicago is just being completed here). I'm not generally a huge fan of his work, but this building is a breathtaking work of subtle genius, which lovingly and subtly interweaves indoor and outdoor space, fusing the natural with the built environment. Those who enjoyed my post on green roofs in architecture, will love the green roof on this one...one of the most interesting I've seen.


Nicolai Ouroussoff writes for the New York Times: "If you want reaffirmation that human history is an upward spiral rather than a descent into darkness, head to the new California Academy of Sciences, in Golden Gate Park, which opens on Saturday.

"Designed by Mr. Piano on the site of the academy’s demolished home, the building has a steel frame that rests amid the verdant flora like a delicate piece of fine embroidery. Capped by a stupendous floating green roof of undulating mounds of plants, it embodies the academy’s philosophy that humanity is only one part of an endlessly complex universal system." [...]


"A glass lobby allows you to gaze straight through the building to the park on the other side. Other views open into exhibition spaces with their own microclimates. The entire building serves as a sort of specimen case, a framework for pondering the natural world while straining to disturb it as little as possible."
[...]
"The roof of the academy’s lobby, supported by a gossamerlike web of cables, swells upward as if the entire room were breathing. Views open up to the landscape on all four sides, momentarily situating you both within the building and in the bigger world outside. A narrow row of clerestory windows lines the top of the lobby. One of the building’s many environmental features, these windows let warm air escape and create a gentle breeze that reinforces the connection to the natural setting."


"The museum has also preserved its African Hall, with its gorgeous vaulted ceiling and dioramas of somnolent lions and grazing antelopes, integrating it into the new design. Built in the 1930s, this neo-Classical hall is a specimen of sorts. Its massive stone structure reflects colonial attitudes about the civilized world as a barrier against barbarism. It was intended as a symbol of Western superiority and a triumph over nature."


"By contrast, Mr. Piano’s vision avoids arrogance. The ethereality of the academy’s structure suggests a form of reparations for the great harm humans have done to the natural world. It is best to tread lightly in moving forward, he seems to say. This is not a way of avoiding hard truths; he means to shake us out of our indolence."

All photos are by Tim Griffith whose extensive body of architectural photography
(including some great photos of "The Birdsnest") can be seen at timgriffith.com

9.21.2008

Maslen & Mehra : Mirrored : A new book

A few days ago I received an email from Moderne Kunst Books, who is publishing a new book on artists Maslen & Mehra. Apparently, some of the text from the piece I wrote for Wunderkammer on their work is being used to promote the book.

You can read my earlier post on Maslen & Mehra's work
here --- which focuses specifically on their Native series, an excerpt of which is shown below.

Eurpoean Wolf : Notre Dame : Paris - from the Native Series - non-manipulated photograph of sculpture - Maslen & Mehra - 2007

Maslen & Mehra : Mirrored

Ed. Caprice Horn, Berlin
Texts by Edward Lucie-Smith, Eugen Blume

Hardcover, 184 S., 95 col. ill.

978-3-940748-42-3
EUR 30,00 sFr 52,00

9.10.2008

Ryan McLennan

Untitled - acrylic on paper- Ryan McLennan - 2007


Oh goodness, it's been far too long since I've posted. I suppose that my flimsy excuse of being in Japan won't really hold any water. In any case, I have been storing up some great posts for Wunderkammer and hope to get rolling on them, despite that fact that I am inflicted with a chronic disease of taking on way more projects than I can manage.

And since I don't have very much time today with all my other projects, the work of artist Ryan McLennan can pretty much speak for its self.

McLennan is an artist from Richmond, Virginia who works mainly in acrylic on paper and sometime on wood. His enigmatic images seem to tell a mysterious story of a battle between forest creatures, with a cast including moose, beavers, foxes and a strange bear made from leaves.


Orphans - acrylic on paper- Ryan McLennan - 2007


Mine - acrylic on paper- Ryan McLennan - 2007


Education - acrylic on paper- Ryan McLennan - 2007


Aftermath - acrylic on paper- Ryan McLennan - 2007


Haul - acrylic on paper- Ryan McLennan - 2007


Gather - acrylic on paper- Ryan McLennan - 2007

To see more of Ryan's work or to contact the artist, please visit: http://www.ryanmclennan.com